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DRUM & DRUMMER Comments:

This is an excellent list of thirteen reasons given by John Bryant (a session drummer who has played with artists such as Ray Charles) why Ringo Starr was much more than “an average drummer,” as he is often labelled by music critics.

Always serving the song without showing off, Ringo was an integral and indipensible part of The Beatles. Ringo’s intuitive feel and creative big beat style continues to be hugely influential to contemporary musicians of diverse musical genres, whether they realize it or not.  His feel was so consistent and solid that even the drum parts he played for songs in odd time signatures seem simpler than they truly are.  Many technically great drummers could never hope to reproduce Ringo’s distinctive style.

Ringo Starr is one of the most consistent, song-oriented drummers of all time.  He is the perfect example of a drummer playing economically (without ever overplaying) to make each song as powerful as possible.  He has a relaxed, dynamic, and solid feel that even more technically advanced drummers should strive for. His drumming was consistently in-the-pocket, emotive, creative, and musical.

Beyond that, he was always the egoless grounding force of The Beatles, even during the band’s most tumultuous times.  John Lennon referred to Ringo as the heart of The Beatles.  I honestly do not believe The Beatles would have developed into as musically innovative a band if they had played with any other drummer.

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THIRTEEN REASONS TO GIVE RINGO SOME RESPECT

by John Bryant (drummer for Ray Charles, producer, session drummer)

Source URL: http://web2.airmail.net/gshultz

Ringo Starr, the luckiest no-talent on earth.  All he had to do was smile and bob his head.  Oh yes, and keep a beat for three of the most talented musicians/songwriters of this century.  What other impression could one have when judging the role that Ringo played in the success of the Beatles?  

Did Ringo really make a difference?  Upon listening to the latest release by The Beatles, Anthology 1, you get a chance to listen to Pete Best and two other drummers play on over twenty songs.  Was Ringo simply in the right place at the right time?  The following items may help in going beyond the image:

(1)  Ringo was the first true rock drummer to be seen on TV.  All the Rock & Roll drummers featured with Elvis, Bill Haley, Little Richard, Fats Domino and Jerry Lee Lewis were mostly R&B drummers that were making the transition from a swing drumming style of the 40′s and 50′s toward the louder and more “rocking” sound that is associated with “I Want To Hold Your Hand”.  They were dressed in tuxedos and suits and held the drumsticks in the “traditional” manner of military, orchestra, and jazz drummers.  Ringo showed the world that power was needed to put the emphasis on the “rock” in Rock & Roll music, so he gripped both sticks like hammers and proceeded to build a foundation for rock music.

(2)  Ringo changed the way drummers hold their sticks by making popular the “matched” grip of holding drumsticks.  Nearly all drummers in the Western World prior to Ringo held their sticks in what is termed the “traditional” grip, with the left hand stick held like a chopstick.  This grip was originally developed by military drummers to accomodate the angle of the drum when strapped over the shoulder.  Ringo’s grip changes the odd left hand to match the right hand, so that both sticks are held like a flyswatter.  Rock drummers along with marching band and orchestral percussionists now mostly play with a “matched” grip, and drum companies have developed straps and accessories to accomodate them.

(3)  Ringo started a trend of placing drummers on high risers so that they would be as visible as the other musicians.  When Ringo appeared on the Ed Sullivan Show in 1964, he immediately caught the attention of thousands of “drummers to be” by towering over the other three Beatles.  Elvis’s drummer was looking at a collection of backs.

(4)  These same “wannabe” drummers also noticed that Ringo was playing Ludwig drums and they immediately went out and bought thousands of these drumsets, thus establishing Ludwig as the definitive name in Rock & Roll drums at that time.

(5)  Ringo changed the sound of recorded drums. About the time of Rubber Soul (released Dec. 6,1965), the sound of the drumset started to become more distinct.  Along with help from the engineers at Abbey Road studios, Ringo popularized a new sound for the drums by tuning them lower, deadening the tonal ring with muffling materials, and making them sound “closer” by putting a microphone on each drum.

(6)   Ringo has nearly perfect tempo.  This allowed the Beatles to record a song 50 or 60 times, and then be able to edit together different parts of numerous takes of the same song for the best possible version. Today an electronic metronome is used for the same purpose, but the Beatles had to depend on Ringo to keep the tempo consistant throughout the dozens of takes of the songs that you know and love so well.  Had he not had this ability, the Beatles recordings would sound completely different today.

(7)  Ringo’s “feel” for the beat serves as a standard for pop-rock record producers and drummers alike.  It is relaxed, but never dragging.  Solid, yet always breathing. And yes, there is a great amount of musical taste in his decisions of what to play and when to play it.  In most recording sessions, the drummer’s performance acts as a barometer for the rest of the musicians.  The stylistic direction, dynamics, and emotions are filtered through the drummer.  He is the catcher to whom the pitcher/songwriter is throwing.  If the drumming doesn’t feel good, the performance of any additional musicians is doomed from the start.  The Beatles rarely if ever had this problem with Ringo.

(8 )  Ringo hated drum solos, which should win points with quite a few people.  He only took one solo while with the Beatles.  His eight measure solo appears during “The End” on the “B” side of Abbey Road.  Some might say that it is not a great display of technical virtuosity, but they would be at least partially mistaken.  You can set an electronic metronome to a perfect 126 beats per minute, then play it along with Ringo’s solo and the two will stay exactly together.

(9)  Ringo’s ability to play odd time signatures helped to push popular songwriting into uncharted areas.  Two examples are “All you Need is Love” in 7/4 time, and “Here Comes the Sun” with repeating 11/8, 4/4, and 7/8 passages in the chorus.

(10)  Ringo’s proficiency in many differen styles such as two beat swing (“When I’m Sixty-Four”), ballads (“Something”), R&B (“Leave My Kitten Alone” and “Taxman”) and country (the Rubber Soul album) helped the Beatles to explore many musical directions with ease.  His pre-Beatle experience as a versatile and hard working nightclub musician served him well.

(11)  The idea that Ringo was a lucky Johnny-on-the-spot-with-a-showbiz-stage-name is wrong.  In fact, when Beatle producer George Martin expressed his unhappiness after the first session with original drummer Pete Best, the decision was made by Paul, George, and John to hire who they considered to be the best drummer in Liverpool – Ringo Starr.  His personality was a bonus.

(12)  The rumors that Ringo did not play on many of the Beatle songs because he was not good enough are also false.  In fact, he played on every released Beatles recording (not including Anthology 1) that include drums except for the following:  “Back In The USSR” and “Dear Prudence”, on which Paul played drums due to Ringo temporarily quitting the band, “The Ballad of John and Yoko”, again featuring Paul on drums because Ringo was off making a movie, and a 1962 release of “Love Me Do” featuring session drummer Andy White.

(13)  When the Beatles broke up and they were all trying to get away from each other, John Lennon chose Ringo to play drums on his first solo record.  As John once said, “If I get a thing going Ringo knows where to go, just like that…”  A great songwriter could ask no more of a drummer. Except maybe to smile and bob his head.
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John Bryant is a 43-year-old session drummer and producer in Dallas, Texas.  He has recorded and toured with Ray Charles, the Paul Winter Consort, and currently is a member of the percussion ensemble, D’Drum. In 1976, Mr. Bryant played a rehearsal with Paul McCartney and Wings when regular drummer Joe English became ill and could not make it.  Mr. Bryant started playing drums after seeing Ringo Starr on the Ed Sullivan Show in 1964.
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JOHN BRYANT NOTES:  This story was written in reply to a previous story for The Dallas Morning News which described Ringo as an average drummer who got lucky.  It is written within the context of modern Pop music, not to compare Ringo with jazz drummers of the 30′s, 40′s, and 50′s. Certainly Ringo was not the first drummer on a riser, but his visibilty did proclaim him to be an equal member of the band.  This is significant because the earlier drummers were sidemen.  Ringo was not the “first” drummer to play matched grip or to muffle his drums, but his exposure as a Beatle made him the leader to the masses.

url source: http://web2.airmail.net/gshultz/
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Quotes from Ringo’s bandmates in The Beatles:

“Ringo is Ringo, that’s all there is to it. And he’s every bloody bit as warm, unassuming, funny, and kind as he seems. He was quite simply the heart of the Beatles.” – John Lennon

“Ringo’s just a lad. Everybody always loved him. And now that he’s all dried out, he’s just a lovable, interesting, intelligent bloke.” – Paul McCartney

“I didn’t like the look of Rory’s drummer myself. He looked the nasty one, with his little grey streak of hair. But the nastier one turned out to be Ringo, the nicest of them all. Playing without Ringo is like driving a car on three wheels.” - George Harrison

IN THIS VIDEO:  Kermit Interviews Animal… Animal’s Drums Go Up In Flames… Animal vs. Buddy Rich Drum Battle… Rita Moreno and Animal Play “Fever”

Kermit interviews Animal, discussing his influences and his love of drums.  When animal mentions that he likes to eat his drums, Kermit says, “How ‘cymballic’,” prompting Animal to yell, “Bad pun! Bad pun!”  Kermit decides not to replace Animal with a new drummer, Tony Checkers, after Animal beats Kermit senseless.  

• During the first drum solo on this compilation, Animal plays so fast that his drums go up in flames.
• The second drum duet is a classic drum-off between the great Buddy Rich and Animal.  Buddy Rich’s talents cause Animal’s jaw to drop open, before he throws a drum at Buddy’s head in a fit of rage.  This is one of the best Sesame Street sketches of all-time, AND it displays examples of rudimental techniques combined with great showmanship.
• Animal shows how overplaying can annoy the other musicians in the band (and the audience).  The singer Rita Moreno, is not impressed with Animal’s hilariously out-of-control playing during the song, “Fever.”  When an aggravated Rita tells Animal to chill, he decides to play in an even louder and out of control manner.

Attributes that Bands/Musicians Seek in a Drummer:

• A drummer with reliably consistent tempo
• A drummer who places more importance on the song than on drum solos
• A musician who places more importance on “feel” than on showing off technical ability
• Many professional drummers prefer to play simply and economically, even though they are fully capable of playing much more complex patterns.
• A band member who does NOT attempt to overpower the other musicians’ parts with sheer volume
• An appropriately dynamic musician
• A musician who understands song structure

During the first drum solo on this compilation, Animal plays so fast that his drums go up in flames.  The second drum duet is a classic drum-off between the great Buddy Rich and Animal. Buddy Rich’s talents cause Animal’s jaw to drop open, before he throws a drum at Buddy’s head in a fit of rage.  This is one of the best Sesame Street sketches of all-time, AND it displays examples of rudimental techniques combined with great showmanship.  

Animal shows how overplaying can annoy the other musicians in the band (and the audience).  The singer Rita Moreno, is not impressed with Animal’s hilariously out-of-control playing during the song, “Fever.”  When an aggravated Rita tells Animal to chill, he decides to play in an even louder and out of control manner.  

Ringo Starr of the Beatles is an excellent example of an understated drummer who always supported the song structure with his drumming. 

Mitch Mitchell of The Jimi Hendrix Experience is one of my favorite examples of a drummer who played more improvisationally while still maintaining a flowing groove.  His creative and dynamic jazz fusion style relied more on interplay between the guitar and drums than is typical of most music.  Listen to The Jimi Hendrix Experience album “Axis: Bold As Love” or “Live at Monterey” to hear Mitchell and Hendrix playing beautifully off of each other.  The drum parts would be over the top in many other styles of music, but they mesh perfectly with Hendrix’s improvisational guitar style.  Mitch Mitchell effectively combined improvisational jazz techniques with rock and blues guitar-oriented song structures. 

Bert & Ernie Play “Green Grass & High Tides” Together 

Bert thinks of himself as one groovacious hepcat when he plays the bass drum.  This was originally aired on the first season of Sesame Street (1969-1970).  Ernie convinces Bert to jazz up his drum beat, and they play a duet of “Green Grass & High Tides.”  I remember playing this very song in elementary band class, and it took a great deal of restraint to not start attacking the snare drum like Animal. 

Ernie Plays Some CRAZY Blast Beats…

This update of a Sesame Street classic is GREAT!  Bert tells Ernie that he is heading to the post office to mail a letter, and Ernie replies, “Okay, Bert.  While you’re gone, I’m going to practice my drums.” 

• In this version, Ernie plays some more advanced speed-metal blast beats and fills. 
• Bert is teleporting in the background during Ernie’s solo, making this awesome video even better. 
• Derek Roddy is playing the extremely fast double bass drum part that you hear. 
• This is a good example of speed and fluidity using single and double stroke rolls. 
• Even Animal would be impressed with Ernie’s drumming chops in this version…

“ANIMAAALLLLLL!!!”  Animal Runs Into A Gong…

This video of Animal playing a large gong with his head was an acidental blooper from The Muppets Show. 

Harry Belafonte vs. Animal Drum Battle

Here is another drum battle featuring the percussive stylings of Animal.  This time Animal is playing with Harry Belafonte.  The expressions on Animal’s face while he watches Harry play are priceless.  This is yet another example of why the original Sesame Street that started in 1969 is creatively superior to the supposedly “new and improved” Sesame Street.  I realize now that my eclectic tastes in music were at least somewhat shaped by the music of Sesame Street.  The fact that my parents listened to Led Zeppelin, The Grateful Dead, The Rolling Stones, The Doors, The Allman Brothers, The Who, Jimi Hendrix, Ten Years After, Van Morrison, Frank Zappa, and all kinds of other great music during my formative years may have been another contributing factor.  Animal became famous playing with Dr. Teeth and The Electric Mayhem on the Muppets Show.  Animal’s wild and loose drumming style is based on that of Keith Moon of the Who. 

Animal Sings “Wild Thing”

Animal & James Coburn Meditate

James Coburn attempts to teach Animal the importance of relaxation and meditation.  

• Being both relaxed and focused is crucial to playing with fluidity, especially when playing in front of an audience. 
• A pre-show warm-up on a practice pad helps loosen joints and gently stretch tendons and muslce groups. 
• Start slow, and gradually build up your tempo.  This helps prevent wrist, forearm, and hand strain/injury.
• Stretching and relaxing muscle groups before and after playing also helps improve muscle memory between practice sessions. 

Animal prefers to exuberantly attack the drums, foregoing any relaxation techniques.  He uses his inner turmoil and aggression to attack the drums (and occasionally Kermit and other innocent bystanders).  I really can’t blame the guy, seeing as how he is locked up in cuffs and chains between gigs…

Dave, Josh, & John circling around and locking into the groove… ~ THEM CROOKED VULTURES

Watch & Listen!:  INTERVIEW with Dave Grohl about his new band…

Watch & Listen!:  “REPTILES”  (Live)  

Watch & Listen!:  “ELEPHANTS”  (Live)   

Watch & Listen!:  “NEW FANG”  (Live @ The Reading Festival, 2009)  

Watch & Listen!:  “DAFFODILS”  (Live @ The Lowlands, 2009) 

Listen!:  “CALIGULOVE”  (Studio version) 
One of the BEST Supergroups of All-Time in this Universe:  THEM CROOKED VULTURES  

CLICK HERE to hear an awesome interview with Dave, Josh, & John where they discuss the current state of music relative to their earlier musical careers!  

Josh Homme ~ Guitar, Vocals (Kyuss, Queens of the Stone Age, The Desert Sessions, Eagles of Death Metal drummer, Screaming Trees ’96 Lollapalooza tour, many other collaborations)  

John Paul Jones ~ Bass Guitar (Led Zeppelin, accomplished producer, The Man, The Myth, The Legend…)  

Dave Grohl ~ Drums (Nirvana, Foo Fighters, Queens of the Stone Age, Probot, Tenacious D, Nine Inch Nails)  

COMMENT BELOW with your opinions about this monstrous creation of a band.  THEM CROOKED VULTURES…  Circling around a town near you soon.  The planets and the stars aligned perfectly to create this Uber-Band oozing talent, groove, & raw energy…   

Click on each band member’s name for interesting background information about their history in various bands, collaborations, projects, & lives!

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Drum & Drummer:  The following poll conducted by Rhythm magazine lists the 50 albums voted as the top drum albums of all-time.  The poll does leave out many highly innovative and influential drummers, but it provides a good starting point for drummers searching for albums featuring great drummers.  As a caveat, there are MANY drummers and recordings missing from this list that I would consider essential listening.

Considering it is a list of only 50 albums, it does a fantastic job of introducing some of the greats of the drumming world.

I have added my comments about selected albums and drummers from the list.  I also give some suggestions for further listening for aspiring drummers and musicians.  Many of the listed albums have been (and continue to be) highly influential to my own development as a drummer/musician.

Poll Source URL: MusicRadar.com

A new poll of the Top 50 Greatest Drum Albums is dominated by Led Zeppelin, who have an impressive five albums in the Top 50.  The list, published by Rhythm magazine, takes into account the votes of the mag’s writers as well as many of the star drummers the magazine has interviewed over the last five years, including Dave Grohl, Nicko McBrain (Iron Maiden), Matt Helders (Arctic Monkeys) and Steve White (Paul Weller).

Top honors go to Led Zeppelin’s fourth album (featuring the drum double-whammy of Stairway To Heaven and When The Levee Breaks), with The Beatles’ Abbey Road coming in second.

There are some notable omissions in this list, though.  There are no albums by Cream featuring Ginger Baker, and the only albums in the Top 10 made in the last 30 years both feature Dave Grohl.

MusicRadar wonders; are they not making truly great drummers any more?

Here’s the Top 50 albums countdown…

• #50 The Who – Live At Leeds (1970)
  Drummer: Keith Moon

D & D:  I consider this to be one of the greatest live recordings of all-time.  Get Your Ya-Ya’s Out by the Rolling Stones, Live at the Fillmore East by the Allman Brothers, The Deepest End: Live by Gov’t Mule, Live at Winterland + Live at the Fillmore East + Live at Woodstock by Jimi Hendrix, Live at the Royal Albert Hall (1966) by Bob Dylan, and numerous other classic live albums also belong in my personal favorites collection.  The energy that pulses through the speakers when Live at Leeds is put on is incredible.  Keith Moon is a legendary drummer, and his drumming style is explosive and instantly recognizable.

• #49 Mahavishnu Orchestra – Birds Of Fire (1973)
  Drummer: Billy Cobham

D & D:  Billy Cobham is a precise, diverse, lightning fast, jaw-dropping drummer with a style that blends jazz, fusion, & orchestral techniques in a very unique way that still sounds fresh.  Cobham’s drums are tuned very tightly/high for faster stick response & a tight sound, which lends to his signature sound.  I would highly recommend any of Billy Cobham’s albums to drummers (of any style) looking to learn new ways of expressing themselves on the drum set.  Total Eclipse is one of my all-time favorite Billy Cobham albums.

D & D:  John ‘Jabo’ Starks and Clyde Stubblefield hold James Brown’s band together on this funk/soul masterpiece.  They are super-tight with the rhythm section, and their interplay with the horn section is always spot on.  This is a very nice example of how to play funk rhythms that groove in the pocket.  Forty-six years later, this album continues to lay the template for funk drummers looking to make their audience dance.

   For more bone-rattling, melodic, & beautiful heaviness, Check out DOWN (Pantera singer Phil Anselmo & bassist Rex Brown + COC guitarists Pepper Kennan & Kirk Windstein, & incredible drummer Jimmy Bower) & Phil’s Superjoint Ritual project.

• #43 Van Halen – Van Halen (1978 )
  Drummer: Alex Van Halen

• #42 Radiohead – Ok Computer (1997)
  Drummer: Phil Selway

• #41 Tool – Aenima (1996)
  Drummer: Danny Carey

A Perfect Circle with Tool’s singer Maynard Keenan features another of my favorite drummers.  Josh Freese is one of the most sought-after session drummers in the music industry, and one listen to A Perfect Circle will show you why.  Much like Danny Carey, Josh Freese is a master of synchopation. Josh’s style tends to be more reserved than that of Carey, and they both are insanely talented at shifting between odd time signatures with fluid groove and dynamics.  Danny Carey and Josh Freese are both drumming forces to be reckoned with.

• #40 Metallica – …And Justice For All (1988 )
  Drummer: Lars Ulrich

• #39 Jimi Hendrix – Axis: Bold As Love (1967)
  Drummer: Mitch Mitchell

Mitch Mitchell effectively did for the drumming world what Jimi Hendrix did for the guitar playing community.  Fusing jazz with rock and blues in a bombastic, unapologetic way – they both paved the way for future musicians looking to push the envelope with their musical expression.

Mitch Mitchell and Jimi Hendrix collaborated in the studio together to write almost all of the music for The Jimi Hendrix Experience, recording their parts together live before adding bass, vocals, and additional instrumentation.  Listening to the progression of Jimi’s playing with the Jimi Hendrix Experience, it is obvious how Mitch Mitchell’s improvisational drumming style was key in helping form the sound Jimi’s guitar parts (and vice versa).

If you love great music, listen to “Axis: Bold as Love” immediately (if not sooner).

• #38 Fleetwood Mac – Rumours (1977)
  Drummer:  Mick Fleetwood
• #37 Mastodon – Leviathan (2004)
  Drummer:  Brann Dailor
• #36 Jeff Buckley – Grace (1994)
  Drummer:  Matt Johnson
• #35 The Beatles – Sergeant Pepper’s Lonely Hearts Club Band (1967)
  Drummer:  Ringo Starr
• #34 Buddy Rich Big Band – Big Swing Face (1967)
  Drummer:  Buddy Rich

• #33 Pantera – Far Beyond Driven (1994)
  Drummer:  Vinnie Paul

D & D:  Pantera has helped define metal music since the early ’90’s. Vinnie Paul’s double bass style has definitely influenced my own playing. Pantera’s later albums became increasingly heavy and complex.

I would also recommend singer Phil Anselmo’s work with DOWN to fans of heavier music.  The sound of DOWN is more Southern rock-tinged, and the heavy-handed drums flow perfectly with their chugging, grinding guitar work.

• #32 Chick Corea – Now He Sings, Now He Sobs (1968 )
  Drummer:  Roy Haynes  

D & D:  Roy Haynes drumming influenced artists such as Tony Williams (Miles Davis), Elvin Jones (John Coltrane), and countless others.

Read more about Roy Haynes by clicking this link: The Influence of Roy Haynes

• #31 The Police – Ghost In The Machine (1981)
  Drummer:  Stewart Copeland
• #30 Sting – Ten Summoner’s Tales (1993)
  Drummer:  Vinnie Colaiuta
• #29 Sly And The Family Stone – Fresh (1973)
  Drummer:  Andy Newmark
• #28 Led Zeppelin – Houses Of The Holy (1973)
  Drummer:  John Bonham
• #27 Metallica – Master Of Puppets (1986)
  Drummer:  Lars Ulrich
• #26 Mahavishnu Orchestra – The Inner Mounting Flame (1971)
  Drummer:  Billy Cobham

D & D: There is a very good reason that Billy Cobham shows up on this list repeatedly. Listen to any album with Cobham for examples of stellar progressive fusion jazz drumming. Even non-drummers will ask who is playing when they hear Cobham’s music.

• #25 Frank Zappa – Joe’s Garage: Act 1 (1979)
  Drummer:  Vinnie Colaiuta

• #24 Buddy Rich – Swingin’ New Big Band (1966)
  Drummer:  Buddy Rich

• #23 Billy Cobham – Spectrum (1973)
  Drummer:  Billy Cobham
• #22 The Police – Outlandos D’Amour (1978 )
  Drummer:  Stewart Copeland
• #21 Stevie Wonder – Songs In The Key Of Life (1976)
  Drummers:  Stevie Wonder, Greg Brown and Raymond Lee Pounds
• #20 Slayer – Reign In Blood (1986)
  Drummer:  Dave Lombardo
• #19 Soundgarden – Superunknown (1994)
  Drummer:  Matt Cameron

Cameron’s adept use of odd time signatures, ghost strokes, and pounding rhythms with Soundgarden drew them comparisons with Led Zeppelin. Listen to any of Soundgarden’s recordings and “Binaural” or “Riot Act” by Pearl Jam for samples of his driving drumming style.

• #18 Miles Davis – Four And More (1964)
  Drummer:  Tony Williams
• #17 Deep Purple – Made In Japan (1972)
  Drummer:  Ian Paice
• #16 Stevie Wonder – Innervisions (1973)
  Drummer:  Stevie Wonder
• #15 AC/DC – Back In Black (1980)
  Drummer:  Phil Rudd
• #14 Led Zeppelin – Led Zeppelin (1969)
  Drummer:  John Bonham
• #13 Rush – Moving Pictures (1981)
  Drummer:  Neil Peart
• #12 The Beatles – Revolver (1966)
  Drummer:  Ringo Starr
• #11 The Police – Regatta De Blanc (1979 )
  Drummer:  Stewart Copeland
• #10 Jimi Hendrix – Are You Experienced (1967)
  Drummer:  Mitch Mitchell
• #9 John Coltrane – A Love Supreme (1964)
  Drummer:  Elvin Jones
• #8 Queens Of The Stone Age – Songs For The Deaf (2002)
  Drummer:  Dave Grohl
  Here’s QOTSA at Glastonbury 2002 with DG on drums
• #7 Steely Dan – Aja (1977)
  Drummers:  Purdie, Gadd, Greene, Humphrey, Keltner and Marotta
• #6 Led Zeppelin – Led Zeppelin II (1969)
  Drummer:  John Bonham
• #5 Miles Davis – Nefertiti (1967)
  Drummer:  Tony Williams
• #4 Nirvana – Nevermind (1991)
  Drummer:  Dave Grohl

• #3 Led Zeppelin – Physical Graffiti (1975)
  Drummer: John Bonham
• #2 The Beatles – Abbey Road (1969)
  Drummer: Ringo Starr

Never a fan of extended flashy drum fills, Ringo instead concentrated on supporting the other musicians in The Beatles with his intuitively brilliant and consistent drumming. To discover why Ringo’s work with the Beatles is often unjustly underrated, click here for the article 13 Reasons to Give Ringo Some Respect.

• #1 Led Zeppelin – Led Zeppelin IV (1971)
  Drummer: John Bonham – ‘Bonzo’
  See Stairway To Heaven

John Bonham tops the list of most drummers’ influences for very good reason. His playing was always original, passionate, and he cared much more about feel than mere technique. His playing, of course, displayed astonishing hand and foot technique. But it was the powerful musicality and pure feeling expressed by his playing that made him truly original.

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Andrea Vadrucci (of Cosmica) plays his own unique drum composition along to music from the Super Mario Bros. 2 Nintendo video game. 

To see more examples of Vadrucci’s inventive drumming style, click on “Drums Played Along to Popular Music” under the PAGES heading

(Sidebar on Right of Page).

Gibraltar’s Extreme Drum Hardware Makeover

Jagger from Opus Dai tests out the new GIBRALTAR Rack Hardware System at the Troubador:

Leave your comments & suggestions below…

Gilbraltar’s Extreme Drum Hardware Makeover (Part 1 ~ a practical drum kit upgrade):

Gibraltar Extreme Drum Hardware Makeover (Part 2):

R.I.P. Mitch Mitchell

July 9, 1947 – November 13, 2008

• Designed and built by Lou Dias & Frank Cahill
• First played at the Royal Festival Hall in London, England, on Sunday, May 31st, 1987.
• Diameter:  13 Feet
• Depth:  4 Feet
• Shell:  6-Ply Birch (1 inch thick)
• Lugs:  35 Rods & Claws
• Head:  Sail Cloth
• Flesh Hoop:  40′ of 1″ Rope
• Counter Hoop:  4″ x 1″ Birch